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Dbx 231 Manuals
Great definition! Cons: None Pros: The sound!!!
Ergonomic and sturdy. I tested a Behringer and was very disappointed! I wouldn't hesitate to buy it again. Did you find this review helpful?
The DBX is a great equalizer of quality manufactured by a very large brand qualisation. Nothing to do with a Behringer product whose efficiency is zero.
USE Very good Gnrale configuration, facade clear, easy rglages perfect manual. Used on a sound basis, it improves the answer Seriously curve I hate Behringer still far too expensive for a zero efficiency, and resale. Handling very easy.
Excellent value for money prices No problem, I would do this choice for a small configuration. Otherwise, the range includes DBX Equalizers qq very high-end products.dbx 231s GEQ noise test 20180401
Is it a pb I from the beginning, I think I will have seen.Log in Become a member. Product presentation. Subscribe to our free newsletter Subscribe. Write a user review Ask for a user review. Like Tweet Submit. Average Score: 4. Not satisfied with those reviews? Request a new review. Sort by most recent most useful. Set within 10 minutes. Crystal clear.
DBX 131, 215, 231 User Manual
Great definition! Cons: None Pros: The sound!!! Ergonomic and sturdy. I tested a Behringer and was very disappointed! I wouldn't hesitate to buy it again. Did you find this review helpful?
Is it a pb I from the beginning, I think I will have seen. In short, after reading reviews on the net, I just saw that the transformer is the principal author of the hum. To see the problem, just connect 2 speakers without putting the audio source. And then get 3 or 4 of the knobs fully from 10k. It hums when not even bad. FYI, all the knobs to zero, we see nothing. I hope you find a solution to the bp. Before you say if this is a good solution, can you tell me if you also have the same hum.
Thank you in advance for your answer. Comparison with other affordable EQ Behringer, Samson, etc. NB: the removal of feedback from Behringer is a tricky gadget! In home studio, there's no picture, the DBX is really very far ahead! Confirmed with a spectrum analyzer!
Excellent QP I would do this choice without any hesitation. This is an analog equalizer 20Hz to 20kHz in 31 bands.It's amazing. One little button. It has so much effect. We started out to build the finest EQ's possible, boxes with the heritage and performance to rival our famous 30 Series EQ's.
And to no one's surprise they came out awfully darn good. Ask to see the Audio Precision plots compared to the competition. But then, Roger our chief engineer, a nice guy, as far as engineers go got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQ's sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see. But hey, Roger wasn't about to stop there.
So when the guys were developing this new series of EQ's they wanted something that would be unique to these EQ's.
That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in. Once again, hearing is believing Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing.
You used to have to settle for second best in a reasonably priced EQ but not any more. Recommended for: PortableTour. If any of the links above result in strange characters in your browser, please right-click the file to save it to your computer. The noise reduction in our current EQ models is for lowering the inherent noise within the dbx EQ model only and will not reduce any other noise that is inherent in the system i.
Buy It Now.When the pros need an EQ, they turn to dbx. With the dbx heritage of revered pro EQs, the s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. From its extended 10Hz to 50kHz frequency response and dB dynamic range to the quality componentry and meticulous attention to detail, the s offers exceptional sound and rugged reliability that guarantees you will always sound your best.
Sure to find a home in the studio, on tour and with installed sound venues, the dbx s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional's choice in signal processing.
With such affordable quality, there's no longer any excuse for compromising your sound. Recommended for: PortableTour. If any of the links above result in strange characters in your browser, please right-click the file to save it to your computer. Exceptional sound and rugged reliability When the pros need an EQ, they turn to dbx. Dynamic range has been improved from dB to dB Now includes a super quiet and more energy efficient "universal" VAC switch-mode power supply New circuitry that further reduces induced noise make them even quieter than the previous 2 Series EQ models The new Silver Titanium look make them stand out in an audio rack Incorporates the latest generation of component technology resulting in improved overall sonic integrity, improved levels of control and less energy consumption.
Buy It Now.During these challenging times, we guarantee we will work tirelessly to support you. We will continue to give you accurate and timely information throughout the crisis, and we will deliver on our mission — to help everyone in the world learn how to do anything — no matter what. Thank you to our community and to all of our readers who are working to aid others in this time of crisis, and to all of those who are making personal sacrifices for the good of their communities.
We will get through this together. Updated: January 30, Reader-Approved References. A graphic equalizer, more commonly known as an EQ, is used to change the frequency response of selected sounds, such as particular instruments or vocals in an audio track. It can be used to enhance the bass, reduce the treble, highlight a saxophone, or just make your audio sound better overall. Once you get a handle on the basic operation of your EQ model, you can use it to make simple audio adjustments, then get into more detailed audio fine-tuning.
To use a graphic equalizer, push the sliders up above the horizontal line to boost sounds within that frequency range. Similarly, push the sliders below the horizontal line to cut the sounds in that frequency range. For instance, if you want to turn up the bass in a song, push the lowest kilohertz slider upward. While it may take some trial and error to get the sound you want, stick with it! To learn how to check your equalizer for presets, read on! Did this summary help you?
Article Edit. Learn why people trust wikiHow. This article was co-authored by our trained team of editors and researchers who validated it for accuracy and comprehensiveness. Together, they cited information from 12 references. Learn more Adjusting for Your Music and Listening Environment. Highlighting Different Instruments or Vocals.Page of 12 Go. User Manual. Table of Contents.
Dbx pro dual band graphic equalizer specification sheet 2 pages. Dbx 12 series graphic equalizers operation manual 45 pages. Vaihda paristo ainoastaan laitevalmistajan suosittelemaan Product name: dbxand tyyppin.
Page 4: Table Of Contents After expiration of the warranty, a reasonable charge will be made for parts, labor, and packing if you choose to use the factory service facility. In all cases, you are responsible for transportation charges to the factory. Page 5: Warranty In no event shall dbx or its dealers be liable for special or consequential damages or from any delay in the When used with an audio spectrum analyzer the EQs can tune any acoustical envi- ronment -- from the studio to the concert hall -- to stop ringing, increase clarity, and flatten the overall frequency response of the environment.
Page Specifications 2-Series User Manual Insert the graphic equalizer between the signal source usually a mixer and the power amplifiers or the crossover if there is one.
Adjust the level and equalization as required to yield the desired system response. For optimum signal-to-noise response, the gain structure of the sound system must be properly set up. Page 11 2-Series User Manual Notes Comments to this Manuals Your Name:. Enter text from picture:. Latest comments:. Print page 1 Print document 12 pages. Cancel Delete. Sign in OR. Don't have an account?
Sign up! Restore password.Forgot your password? By Dupree21April 30, in Effects and Processors. Talk about too many options. Everything right in the middle then boost or cut each one depending on the sound source. What I normally do is start with all frequencies flat and cut each individual frequency one at a time to your liking. Start with bass freq's, then treble and then tailor the mids to balance it all out. Remember that too much boosting of frequencies will most likely add noise.
That's why I prefer cutting. Get rid of it, or just use it for post-production or live with the mixing desk. It's a waste using 31 bands in a guitar rig. The absolute first thing you have to do is check out the frequency range of your speakers and make sure you leave flat all the sliders for the frequencies that are lower and higher than the respective range. It's kinda crucial to know what you'll be using this with.
For guitar, it will probably be useless. For a PA rig, it could be your best friend. Insert ear plugs. Crank monitors until they start to feed back.
Tonal Shaping: If the monitors are a bit too forward in the mids, or too bright, you can adjust a graphic EQ to compensate somewhat for that by reducing the offending frequency ranges - a "smile curve" EQ to dip the mids, a shelf to attenuate the highs, etc.
I'm not really into boosting gain on the bottom to make them sound "bigger" though - not unless you have serious, heavy duty drivers in there, and if you do, chances are you're not going to need the EQ boost anyway - they should already be pretty big on the bottom.
This is somewhat controversial subject, although the use of EQ to adjust speakers to the room is more common in live sound as opposed to studios. Danut's advice is good IMO - When attempting "corrective" equalization, it's usually better to think in terms of what the sound has too much of, and then subtract some of that, as opposed to thinking about what it needs "more of", and then attempt to boost to add that.
There's nothing wrong with boosting, but it can definitely be overdone You can post now and register later. If you have an account, sign in now to post with your account.